Bombers or Billionaires?

When I lived in Canada I witnessed many different kinds of stereotyping. It seems like after 9/11 there was an increase in negative sanctions towards people of darker skin tones. Despite the actual ethnicity of the person, as long as you had a brown complexion you were targeted.

In our last Sociology class we discussed how the American film industry has projected these extreme images of people who live in the Middle East in order to escalate a culture of fear. Although there were always distorted images of Arabs in American movies since the late 20th century, the impact of these images became even more profound on audiences after 9/11.

Although Canada was not affected by 9/11, airports worldwide tightened security measures as a result of the tragic event. In general, elementary and high school kids are mean. But somehow the incident of 9/11 justified their meanness. In the narrow minds of these kids, everyone of a brown skin tone was Pakistani. And they would bully these poor kids, telling them to go back to where they came from, and even asking them if they were related to the Taliban. North American children were highly susceptible to moral panic. Moral panic makes exaggerated media images and messages so much more believable.


Arabs in the film industry are normally portrayed as “bombers, belly dancers and billionaires,” the three B syndrome. Prior to the 9/11 attacks, these images were extremely dominant. Living in Qatar for the past five years only showed one trait to be quite accurate: billionaires. Although there is more to the Arab culture than money, it is quite a distinguished characteristic. If Americans showed other aspects of the Arab culture in their movies, like their food, how they love shisha and how they are actually quite normal, it would result in a major loss to the film industry and not support the American justification for intervening in the Middle East.




The movie The Kingdom, released in 2007, is about a terrorist attack on a U.S. compound in Saudi Arabia and how American special agents go in and investigate. This movie depicts how Islamists are extremists and fanatics and justifies American resolve to be in the Middle East: Arabs are evil, and Americans are heroes. Arabs can be classified as folk devils, particularly for Americans. A folk devil is a term that’s applied to outsiders portrayed as responsible for creating social problems.



The film industry usually reflects American foreign policy. During the Cold War with Russia, many films depicted communists as evil and invoked a sense of fear, again contributing to this culture of fear. However after the Soviet Union collapsed, the U.S. changed its foreign policy to target the Middle East and coincidentally films reflected this change.